Bliss is the name of Windows bitmap image included in Microsoft’s Windows XP. Filmed in 1996 and distributed worldwide in the 2000s, the image became one of the most famous together with XP’s marketing success. However, technology and media advance with the passage of time and new operating systems resulted in a non usage of the bliss image with the termination of Windows XP services. This exhibition experimented the possibility of these images that were used in the periphery of technology by attaching narratives and meanings. Do Yerin recreated and cut images in 3D to create a place where they died as if they were once alive. Park In-jun reproduced a personal story from the time the image was used. Woo Hye-rin borrowed a mythical motif from the image and filmed a portrait that matched the conceptual/physical code. Hwang Jung-ah explored the process in which images are reinterpreted as mathematical/visual information and how they are displayed in various tangible/intangible spaces.